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Hello. We are thirdbird.
Thirdbird is the not-entirely-new-but-newly-named wing of Ladybird and Bowerbird. (remember blindspot?) Lately we've been spending a lot of time listening to dances and watching talking bodies. It seems that performers have some 'splainin to do...there is a synergy about wanting to say things and show things at the same time--and that time is two weeks from now.

A New Series
Seen & Heard is a series that asks questions about the intersections between dance & music & text. These are sad, funny, manic, structured performances and improvisations, full of ideas and concerned with the conceptual. We are positive that you will mostly like some of them.

BLIND DATE
October 7
Five chances at relating-to another field and to one another. Dance and music duos with:

Nichole Canuso & Toshi Makihara; Raphael Xavier & Bobby Zankel; Annie Wilson & Kyle Press;
Levi Gonzalez & Jesse Sparhawk; Beau Hancock & Rosie Langabeer.

INTIMACY, ABUN/DANCE, AND PERMIT
October 8 and 9
Dances about the magic of being a human being and attempts at understanding from:

Levi Gonzalez, Christina Zani and Headlong Dance Theater

Tickets and more information here

G.T. PELLIZZI
TRANSITIONAL
September 7th - October 16th, 2011
Opening Reception: Sunday September 11th, 4 to 7 pm
 
Y Gallery is pleased to announce G.T. Pellizzi’s first New York solo exhibition. Transitional examines changes within the geometries of our physical and social environment and the impact these changes have on our formal and cultural vocabularies. The show marks a shift in Pellizzi’s artistic trajectory after years working collectively. 

New York is both the stage and the subject for G. T Pellizzi’s new body of work. The city has been a source of inspiration for many artists, such as in Piet Mondrian’s consecutive series, spanning from New York City to Broadway Boogie Woogie.  Barnett Newman’s seminal work, Who’s Afraid of Red, Yellow and Blue and Flavin’s Primary Picture, both reflect how Mondrian’s vision shifts though one generation to the next. As a foundational ground for many artistic movements and innovations, New York City is a stage for these constant cultural transitions. Like a theatre set the very physicality of the city and its real estate developments are constantly in shift as well.

 
As a center of the global economy, New York is also living a moment of uncertainty. After the economic crisis, largely instigated by the real estate market, and as we come to the ten-year anniversary of the collapse of the twin towers, New York finds itself rebuilding at ground zero, looking to the future, and reconstructing its psyche.

 
By assimilating the vocabulary of construction sites, Pellizzi’s exhibition makes New York’s ever shifting nature one of its main themes. He appropriates, almost in an objet trouvĂ© style, some of the most ubiquitous visual vocabularies and objects that inflect our daily navigation of the city. The temporary structures and surfaces of solid color (yellow and blue) that frame and mask real estate developments and city projects, inevitably become signifiers of obstruction, struggle, power, profit, and progress. These structures are what Pellizzi describes as “transitional geometries”-- geometries that conceal the content and protect the viewer/public from what lies behind their surfaces.

 
Continuing his interest in pedagogy, Pellizzi playfully interlaces the histories of the Dadaist readymade, Neo Plasticism, Abstract Expressionism and Minimalism, even touching on “dematerialization” by hinting that the real work is hidden behind the objects on display. The work also brings forth playful relationships between figure and ground, by literally separating the two and putting the latter on the floor; turning one into a volume and the other into a plane. Light and color are ubiquitously present, as are conduits and channels, reflecting structures of the everyday while also creatively sampling some of our biggest preoccupations within artistic practices of our time. (Sue Leponte, NYC 2011)
 
Giandomenico Tonatiuh Pellizzi (G.T. Pellizzi) was born in 1978 in the state of Morelos, Mexico. He studied philosophy at St Johns College and is a graduate from The Channin School of Architecture at the Cooper Union. From 2001-2011, Pellizzi co-founded and has been involved in various art collectives, with whom he has exhibited at the Whitney Museum of Art, PS1 Moma, Centre Pompidou, PAC Murcia, and the Fondazione Sandretto Re Rebaudengo and various art galleries in New York, Zurich, Berlin and London. Currently he collaborates with several characters of his own making in the guise of different personalities, of which G.T. Pellizzi is one. Pellizzi lives between New York and Mexico. He is currently in transition.  
 
 
Y Gallery
165 Orchard Street
at Stanton (F, M, J, Z trains)
info@ygallerynewyork.com / 917 721 4539  
Opportunity for Artists 

Deadline: Saturday, October 1, 2011 

Internationally known Projects Gallery announces a call to artists for “Square Foot Art Basel Miami.” During this year’s world-acclaimed Art Basel Miami, Projects Gallery will create a mosaic-style wall in its trendy Wynwood Lofts gallery in the Wynwood Arts District of Miami. 

A minimum of 100 artists will be selected on a first-come basis (except for PEW winnhers, wink wink). Creating a grid comprised of 12”x12” individual spaces with works of all styles and media, Projects Gallery will provide artists an opportunity to be part of the Art Basel Miami art fairs events. This remarkable gathering of international art fairs and renown emerging venues, such as Aqua, Art Miami, Art Now, NADA, Pulse, Red Dot, Scope and numerous others, creates an arts-conscious concentration uniquely found in Miami every year in early December. It attracts collectors, curators and artists worldwide in a variety of settings with a level of enthusiasm and energy that is fitting for this international destination. 

Eligibility: Open to all artists (except yous insideturds). All works must conform to a dimension of 12”H x 12”W, inclusive of any framing. Works may be smaller in size, but framing must bring the measurement to 12”x12”. For example, a painting measuring 5x7 must have framing that increases the edges to meet the 12”x12” requirement. A video must be shown on a hanging apparatus that makes the player 12”x12”. Sculpture must be wall mounted either by a hanging device or a shelf measuring 12”W. There is no limitation on depth dimension. 

Jurors: Projects Gallery Director, Helen Meyrick, and international artist, Frank Hyder. The first 100 artists to apply are guaranteed at least one space on the grid. Once the first 100 entries are received, any subsequent submissions will be considered according to space availability. As entries are submitted, each artist will be notified immediately of their entry placement number. Selected artists will receive photographic proof of their placement on the grid. 

Works for consideration may be of any media and any style, including painting, drawing, mixed media, print, photography, video, sculpture, etc. Weight may not exceed 50 lbs. All works must be original, for sale and available for the duration of the exhibition. Gallery commission on net sales is 50%, and gallery reserves the right to discount 10% off retail. Artist is responsible for transportation of work to and from the Miami gallery. Projects Gallery will not be responsible for loss or damage of any work while on the premises or during transit to or from the gallery. All works must be exhibition ready, including wire, hooks, etc. Video artists must supply viewing equipment. Selected artists must permit use of their work images for publicity purposes, including but not limited to print and web. 

To Enter: Entries may be submitted via email, snail mail or hand delivery to the Philadelphia gallery. There is a non-refundable entry fee of $60.00 (U.S.) per artist for up to two artwork entries with two additional detail images. Multiple entries are permissible. Each entry is guaranteed a space until the first 100 entries are received, i.e. make one entry application receive at least one space; make two applications received at least two spaces. 

Documents required: 

Artist contact information: Including name as it should appear in print, email address, mailing address, phone number(s). 
List of entries: Include the following information - artist name, titles of images, media, date and retail price of work submitted (Smith, Joe / Image 1 – Untitled / mixed media / 2011 / $xxx). 
Resume or bio 
Artist statement 

Image submissions: Must be digital 300 dpi and at least 600 pixels but no greater than 1200 pixels in either direction. Jpg, gif or tif format. Each image file should be labeled as follows: LastName_FirstName_TheEntryNumber.jpg (Smith_Joe_1.jpg). Do not send original artwork. No slides. 

All documents should be in .doc or .pdf format. Entry material will not be returned unless a self-addressed, stamped envelope is provided. All entries for this exhibition must be received no later than Saturday, October 1st. Entry fee may be made by credit card or check/money order payable to: Projects Gallery and mailed to the Philadelphia gallery (address below). Entry fee may also be paid via PayPal. If any of the above requirements are not met, the submission will be deemed ineligible. 

Mail or drop off submissions and entry fee to: 
ProjectsGallery Attn: Square Foot Art Basel Miami 
629 N. 2nd St. 
Philadelphia, PA 19123 

PayPal payments to either: info@projectsgallery.com or 267-303-9652 
Indicate payment for Square Foot ABM 

Calendar for Square Foot Art Basel Miami 

Entry deadline: Saturday, October 1, 2011 
Final notification: Saturday, October 15, 2011 
Selected work(s) to Miami gallery: November 14-19, 2011 – no works accepted after November 19th 
Exhibition opens: Tuesday, November 29, 2011 
Exhibition closes: Saturday, December 10, 2011 
Reception: Second Saturday, December 10, 2011 7 – 11 PM 
Work pick up or return shipping: December 11-12, 2011 pick-up work or prepaid shipping returned 

All shipped works must arrive in reusable packaging (with complete installation instructions where applicable) and include a prepaid, return-shipping label. An appointment must be made for hand-delivered works to the Miami gallery. DO NOT send works to the Philadelphia gallery. Any works not picked up by December 12, 2011 will be charged a $5 per day storage fee. 

In addition to the exhibition, postcards and e-announcements will be produced, press releases and images will be sent out and the exhibition will be highlighted on the gallery’s website. 

Questions? Contact info@projectsgallery.com or call 267-303-9652.


Dissedclaimer: Projects Gallery will in actualtitty accept the work of even stinky PEW winnhers. Artblahg was just having fun witz yous to make an important point that being exclusive is wrong, hurtfool and just plain BAD!!!!!!!!!!!!!!

Rising to the Stratosphere  

New work by Piety Choi at Highwire Gallery
September 2 - 25, 2011
Opening Reception: Friday September 2, 5-9pm





Highwire’s September exhibit Rising to the Stratosphere is an exhibit of paintings by artist Piety Choi. Piety’s work interprets the human spirit, rising from the depths of the sea to the extreme outreaches of the stratosphere; an expression of freedom and hope that resides in all of us.


Choi, a Korean-born American artist and graduate of the Pennsylania Academy of Fine Arts, brings an Eastern influence to her Western education, painting gritty and sublime abstractions, often incorporating sand as a key medium. Her art is meditative and contemplative, engaging the viewer in a search for eternal meaning. In her artist statement, Piety writes that she seeks “to see movements in stillness; purpose in chaos; hope in hopelessness; divinity in the ordinary.” Rising to the Stratosphere is an invitation to reflect on inner freedom, unbound possibilities, and unyielding hope. Preview her work at www.flickr.com/interiorcastle.



Highwire Gallery also presents Looking for Order by guest artist Karen Steen, in the Annex of the Gallery.

 


Artist Statement by Karen Steen, September, 2011

Thanks to science, we can see, what according to nature’s design, is invisible to us.  There in the microscopic realm, just beneath the surface, it is possible to observe a myriad of intricate forms and systems, interconnected in a sort of glorious dance.  We can watch as cells and organisms reach out, touch, separate, cluster, and spread. For me, this small-scale world represents that which is omnipresent, yet overlooked.  The feeling that civilization is bearing down and damaging the balance of nature’s elaborate systems, fuels my continued interest in organic forms and their relationships.   
My work consists of drawings, collages and relief sculptures.  These approaches blend precise drawing or cutting with random changes to papers produced by drips, contact with rust, or immersion in liquid.  I play with both repetition and endless variety, features from the world of biology.  The small drawings are delicate and meticulously rendered, and call for close examination by the viewer.  The collages and reliefs involve the creation and arrangement of shapes in response to my study of all sorts of microscopic and botanical forms. These works are larger, abstract, and more playful than the drawings. I integrate numerous materials into the collages and reliefs, including string, colored mesh, fiberglass screen, wood, and plexiglass.  Several pieces in this exhibition are a result of my exploration into black and white.  


Hours: Friday, Saturday and Sunday 12-4 pm
For more info email highwiregallery@gmail.com or piety.choi@gmail.com

Events at Highwire for September

9/8/2011 - Mary Halvorson/Weasel Water/Peter Evans Trio (Brooklyn), Archer Spade & Helena Espvall 7:30pm $6
free jazz/improv

9/19/2011 - Barn Owl (San Francisco), Comoros & Moral Crayfish 7:30pm $6 psychedelic/drone/experimental

9/21/2011 - Ezramo (Berlin), Rinus Van Albeek (Berlin) & Mar8ram 7:30pm $6 avant vocal & electronic/electro-acoustic
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Highwire Gallery
2040 Frankford Ave., Philadelphia, PA 19125
www.highwiregallery.com

For the art kiddies whom we lovvveeeeeeeee!!!!!!
use this link for information





Morton Feldman:
American Sublime 
   

Morton Feldman


Bowerbird is proud to present AMERICAN SUBLIME, the first major festival in Philadelphia devoted to the singular music of Morton Feldman (1926-87), Saturday, June 4 - Sunday, June 12. The festival is includes seven concerts at venues throughout the city, with performances by some of the leading Feldman interpreters of our time. AMERICAN SUBLIME focuses on music from the last years of Feldman's life, all of it heard for the first time in Philadelphia. The centerpiece is an extremely rare performance of his monumental, six-hour String Quartet No. 2, which concludes the festival at the Philadelphia Cathedral on June 12.

Music critic Kyle Gann remarks that "in the current Babel of musical styles, Feldman is almost the only composer whose music appeals across stylistic boundaries, among minimalists, postserialists, 12-tone holdouts, electronic composers, academics, Downtowners, MAX programmers, DJ artists, and other miscellaneous wastrels." Feldman's utterly unique musical language, abstract yet deeply personal, leaves an indelible impression.

AMERICAN SUBLIME takes its name from the title of an essay by critic/author Alex Ross on Feldman's music, capturing two essential qualities of Feldman's music: the vital place it occupies in the American experimental tradition, and the numinous, otherworldly quality of the music itself, akin to the paintings of the composer's close friend, Mark Rothko.

More information is available at:  

Tickets are now on sale:

Bowerbird, Inc.
2226 Locust Street
Philadelphia , PA 19103

To find out more about how you can get involved, visit our support page by clicking here